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'Kaleidoscope Of
Rainbows' (1976) completed a trilogy of albums and was composed between
1973 and 1975 as a seven-part work for jazz orchestra and performed by
an augmented version of Ian Carr's band Nucleus.
This Dusk Fire recording was 24 Bit 96 k/Hz digitally-remastered by
Miles Showell at Metropolis Mastering, London, December 2004, using
original master tapes.
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STEVE ASHLEY turned 60
in style in March 2006 with a special celebration concert in Cheltenham.
The show featured a host of folk-rockers including Fairport Convention's
Chris Leslie, Simon Nicol and Dave Pegg with an orchestra conducted by
Nick Drake arranger, Robert Kirby.
The concert CD charts a lifetime's journey in song by one of England's
finest singer-songwriters and includes performances by Ragged Robin, The
Steve Ashley Band (including members of Decameron) and - with Dave
Menday - the first public appearance by act Tinderbox for nearly 40
years.
The show took place on Sunday March 12th 2006 at Cheltenham's Bacon
Theatre.
Available October 2006
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One
of the most gifted British jazzmen of his age, and one of the most
audacious musical pioneers of all time, Mike Taylor died tragically
young in late January 1969.
Mike Taylor Remembered is the most fulsome tribute of all. Recorded over
two days in June 1973, at Denis Preston's Lansdowne Studios in London,
it collects a trove of Taylor compositions, performed by a veritable
who's who of modern British jazz, with around twenty musicians
contributing differing orchestration for each of the ten album's 10
pieces.
Jon Hiseman and Barbara Thompson knew Mike intimately and worked on much
of this music with him; Ian Carr, who originally introduced Mike Taylor
to Denis Preston, recorded two albums by Mike Taylor; Neil Ardley, as
leader of the New Jazz Orchestra directed performances of his orchestral
music; Henry Lowther and Dave Gelly featured Mike's music with their own
bands; and Norma Winstone was one of the few singers able to sing his
extraordinary songs.
Released now, for the first time, Mike Taylor Remembered. (Dusk Fire;
DUSKCD103) presents the full set list, re-mastered from Neil Ardley's
original tapes, and includes a generous 20-page booklet with extensive
booklet notes on Taylor and the album's recording by Dave Gelly
complemented by previously-unseen photography.
Released August 27, 2007
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A
diverse roster of recording artists - spanning half a century between
the oldest and youngest - have contributed contemporary interpretations
of traditional English songs to a new album released as a companion
piece to The Folk Handbook: Working With Songs From The English
Tradition, published in the UK and US this summer by Backbeat Books.
"Old Wine/New Skins", released via Proper Music Distribution on
Buckingham Industrial Park Records' Dusk Fire imprint, compiles 17 songs from the
book in performances all but one of which have been recorded in recent
years; many have been recorded specially for this album and thus are
unavailable elsewhere.
Contributors, including English, Scots, Americans and other
nationalities, count Lisa Knapp, Tom Paxton, James Yorkston, Robin &
Bina Williamson and The Devil's Interval amongst others - renowned or
about to be.
From time to time interest in traditional music extends beyond the
boundaries that usually contain it. What all the performers here have in
common is that they have been drawn to traditional music during one or
other of those periodic surges of interest.
Interpretations vary delightfully in tone and genre, from the
straight-playing of James Raynard's "The Outlandish Knight" and Barry
Dransfield's "John Barleycorn", to a sad, country-tinged "What Is The
Life Of A Man?" by Michael Weston King, a folk-rock take of "the
Broomfield Wager" by Jacqui McShee's Pentangle, a nu-folk "Come Write Me
Down" by Serafina Steer, and a chilling, folk-psych rendering of "The
Unquiet Grave" by Circulus.
The 78 minute-long album, which also features a rare performance by
1960s cult actor/singer Noel Harrison, is book-ended evocatively
acappella by rising star Lucy Wainwright Roche's "Barbara Allen" and the
first lady of folk, Shirley Collins' concluding salute in "Adieu To Old
England."
Released October 8, 2007
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Riding high on the success of its Valentyne Suite (Vertigo 1969)
release, jazz rock act Colosseum embarked in the summer of 1970 on a
major UK tour.
To best showcase the album's full force, the band took Neil Ardley's New
Jazz Orchestra (NJO) on the road with them. It was a decision based on
mutual synergy: the NJO had already played on one track on Valentyne
Suite, Butty‘s Blues, and Colosseum members Jon Hiseman, Tony Reeves,
Dave Greenslade and Dick Heckstall-Smith had all played previously with
Ardley's big band.
Released on Dusk Fire Records this July (2008), Camden '70 (DUSKCD105)
bears testament to the potency of this gathering of modern British jazz
talent of the day in a debut record of a mid-tour concert at the
Jeanetta Cochrane Theatre during London's Camden Jazz Festival.
Colosseum and the NJO by now had played Croydon's Fairfield Hall,
Birmingham Town Hall, Lanchester Polytechnic and London's Queen
Elizabeth Hall and were going on to play Portsmouth and Brighton.
"It would have been pointless trying to ignore the Colosseum connection,
even if we'd wanted to so Dave Greenslade and Clem Clempson stayed on
board for this show, too,” reflects NJO member and now Observer jazz
critic and writer, Dave Gelly in the album's extensive booklet notes.
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